Source: NYTimes.com

Source: NYTimes.com

From the U.S. Patent Office’s alleged technological ineptitude to the controversial patenting of gene information and “innovative business strategies”, critics of the patent process have a number of arguments up their sleeves. However, one seemingly innocent loophole in the patent system has brought fame (and quite a bit of fortune) to a small Texan town – and has patent-holders lining up for their chance in court.

With a population of a little less than 25,000, Marshall, Texas is an unlikely center of patent litigation in the United States, though the town is no stranger to legal maneuvering. Starting at the end of the 19th century, Marshall was better known for the large number of personal injury claims filed by workers on the Texas and Pacific Railway, which connected Texas to San Diego, California. The town’s litigious past continued through the 20th century, when several local lawyers pursued class-action lawsuits against large corporations that exposed workers to asbestos and silica.

By the new millennium, however, patents were proving to be the Marshall’s next jackpot. The town’s serene appearance belies the bustling patent circuit that has recently set up camp in Marshall’s courthouse. In 2002, 32 patent lawsuits were filed in Marshall’s district. By 2006, that number had jumped to an estimated 234 cases, second-most in the country. Only California’s Central District in Los Angeles handles more patent cases.(1)

What’s the cause, then, for Marshall’s strange popularity? Marshall offers a number of compelling reasons for patent-holders to try their case in Texas. One selling point is Marshall’s sympathetic juries: according to LegalMetric, a company that tracks patent litigation, patent holders who file their cases in Marshall have won 78 percent of the time – the highest winning percentage in the United States, and 19 percentage points higher than the national average. Furthermore, legal cases are handled faster in Marshall than in more crowded federal courtrooms in larger cities. Alacrity is further encouraged by Judge T. John Ward, who – after sitting through several patent cases handled at a glacial pace – developed “The Rules”, which put patent lawyers on a strict timetable: “He puts page limits on documents and uses a chess clock to time opening and closing statements, brusquely interrupting lawyers when it is time for them to wind it up,” according to a New York Times article documenting the district’s rise to fame on the patent circuit.(2)

Judge Ward’s toughness on attorneys and the friendly juries of Marshall make the small Texas town an appealing destination for patent-holders, but also serve to attract a different kind of plaintiff, which industry lawyers pejoratively label “patent pirates” or “patent trolls”. These plaintiffs purchase patents from folding companies in order to coerce quick settlements out of companies whose technology might infringe on the patent. For the defendants, the choice between a $200,000 pre-trial settlement and a $2.8 million dollar trial (the mean cost to a defendant in Texas)(3) in the plaintiff-friendly court of Marshall is an easy one to make, even if the trial has little legal merit; for most companies, the risk-reward ratio is simply too high.

Though local lawyers defend Marshall as a neutral ground for companies to compete over patent rights, the situation in Marshall is a delicate one. In a city where many local businesses are experiencing a boom in business thanks to visiting lawyers, is it possible to create an impartial atmosphere for patent litigation? The value of the city to patent-holders rests upon its reputation as a haven for patent infringement claims, legitimate or not. For those with economic and personal investments in the city’s success, any case that rules against the patent-holder is potentially damaging that reputation. This kind of “forum-shopping” for a favorable jury is a lesser-known but still significant factor that could potentially weaken the already-contentious patent system.

(1,2) http://www.nytimes.com/2006/09/24/business/24ward.html?scp=1&sq=so+small+a+town&st=nyt
(3) http://www.technologyreview.com/communications/16280/page1/

The Intimidating Patent Troll

"It is better to be feared than loved." -Niccolo Machiavelli

Information on the fickle beasts:

What is a patent troll?

The definition of a “patent troll” is actually a matter of great dispute; indeed, some believe a standardized definition is the first step towards effective countermeasures, though their suggested definition, “a company or business function whose primary business activity is to acquire patents for the purpose of offensively asserting them against other companies,” seems legally problematic to my untrained eye (use of “offensive” disputable, doesn’t apply to multirole law firms). Wikipedia aggrigates a few actions commonly associated with patent trolls, which are duplicated below:

  • Purchases a patent, often from a bankrupt firm, and then sues another company by claiming that one of its products infringes on the purchased patent

  • Enforces patents against purported infringers without itself intending to manufacture the patented product or supply the patented service

  • Enforces patents but has no manufacturing or research base

  • Focuses its efforts solely on enforcing patent rights

Why is patent trolling effective?

The most concise answer is risk management. Simply look at the numbers (PDF): mounting a good defense against a complex patent lawsuit costs up to $1 million for pretrial and $2.5 million for a full trial. Thus, when a patent troll files a suit meeting the currently low standard of legal disputability, a high five- or low six-figure settlement is a rational alternative to a costly defense and an unsure countersuit to recover fees, and that’s without considering the possibility of losing the suit. Some think that making a losing plantiff pay all defense costs automatically would disincentivize settlement and thus deprive patent trolls of the majority of their livelihood; however, this could have a chilling effect upon legitimate suits.

They do exist, I promise.

The troll king.

Though the term was coined earlier, there is an original patent troll: the term was coined by Intel’s General Council to describe the actions of Raymond Niro, one of the earliest IP lawyers to systematically threaten hundreds of companies with one patent as a business model, though many lawyers and firms have followed suit. On one hand, Niro has won cases netting millions of dollars for previously unrecognized individual inventors, but on the other hand it is very hard to characterize many of his cases, on behalf of trolling companies and against producers, as anything but massive drains upon the economy.

On the slaying of trolls.

Barring massive reform of the patent system, a commonly called for government action outside the scope of this post, patent trolling will continue to be a problem in some form. However, an interesting idea has arisen to fight trolling: “defense patent aggregation” (DPA). Companies adopting this business model purchase a number of patents they believe to be legally employable against existing firms, much like some patent trolls. However, instead of taking offensive legal action, DPA companies charge a flat monthly fee to producing corporations, and in exchange provides rights to all of their patents, creating a legal shield: in any battle against trolls, holding comparable patents in one’s portfolio makes a defense case stronger. The extent to which this strategy will prove profitable for the DPAs or legally effective is relatively untested, but it’s exciting to see a patent reform strategy that doesn’t depend on legislative means.

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Patents are Imba

The first iPhone patent issued in 1985      

The first iPhone patent issued in 1985

One of the purposes of patents is to allow the patent owner to restrict access to the market by competitors. This allows the patent owner to protect their initial investment in the product, which would include research and development costs. However, I can’t help but wonder whether the advantages conferred by patents are beginning to lean in favor of producers at the expense of consumers (much like copyrights in my opinion). 

A good example of this imbalance is the spat between the iPhone and the Palm Pre. By the time the iPhone was released, Apple had developed an army of over 200 patents to protect its development. Two years later, and after millions of iPhones had been sold, Palm develops the Pre and receives amazing hype around the product. Critics praised it and dubbed it the new iPhone killer while investors agreed and sent Palm shares up 100% in the next two days

Apple of course didn’t, and mentioned the possibility of pursuing legal action against anyone that invaded on their IP. When asked about competitors such as the Palm Pre and Google Android phones, Apple’s COO responded with:

“We are watching the landscape. We like competition, as long as they don’t rip off our IP, and if they do, we’re going to go after anybody that does … I don’t want to talk about any specific company. I’m just making a general statement that we think competition is good; it makes it us all better. And we’re ready to suit up and go against anyone. However, we will not stand for having our IP ripped off and we’ll use whatever weapons we have at our disposal [to make sure that doesn't happen]. I don’t know that I can be more clear than that.”

While I don’t know the details of Apple’s patents and any of Palm’s potential infringements upon them, I do think that this sounds a bit fishy. There must be something wrong if a company issues 200 patents to protect their product. It sounds a bit like spamming the patent office with applications to have a monopoly on as broad an area as possible. There is also something fishy if a product that is potentially better (better network, better camera, better web integration, copy/paste) can be sued and prevented from being released because it infringes on one of those 200 patents. To be fair, it has been claimed by some critics that the Palm Pre is nothing more than an iPhone copycat, and after looking at some pictures of the Pre, it’s hard to argue with that claim. At the same time, it also appears that Apple has simply exploited patents better than Palm by applying for tons of patents to prevent any form of competition. This isn’t a patent on a business method, but it’s a business method of patenting anything and everything before others beat you to it. As TechDirt argues, it is debatable whether the iPhone even needs patents, since the incentives to produce a product like the iPhone are the profits and marketshare gains that Apple receives from it. Even if Palm could copy the iPhone, they’d be two years behind Apple.

palm-pre

In a similar vein, opening up patents to business methods and software continues the trend of increasing imbalance between patent owners and consumers, and in the spamming practices that many businesses currently engage in. As noted by Mayer in his dissent, business method patents have no legal precedent and no economic justification. Business owners do not need stronger incentive to innovate in business methods, as the incentive to profit from it is large enough.

As a result of the imbalance, we see similar races to patent anything and everything in business methods. The one-click article mentions the advantages that Amazon gained by patenting one-click online shopping. Mayer also notes some equally troubling business method patents currently in place, from absurd patents such as Patent 6,368,227, a method for swinging on a swing suspended from a tree branch, to patents with more serious consequences, such as Patent 6,119,099, a method for inducing fast food customers to order more food.

It’s very easy to see why current patent law needs a nerf. Although this now seems a bit of a moot point, ask yourself 40 years ago: Would the U.S. be the same if Ford had patented the method of specialization in automobile production?

Yesterday, Linda Greenhouse and Arianna Huffington appeared together at a master’s tea, hosted by Jonathan Edwards College here at Yale. JE’s master, Penelope Laurens, drew a contrast between the two, labeling them as representatives of old and new media. Greenhouse is a Pulitzer prize winning Supreme Court reporter who wrote for the New York Times until recently joining the staff at Yale Law School, and Huffington founded the news website the Huffington Post. The two women had much in common in terms of their assessment of the current situation and future hopes for the news industry. Huffington and Greenhouse suggest that all news outlets will have to develop and change over the next few years.

Here’s a brief breakdown of the contrast between old and new media. In the old media model, each outlet attempts to be independent; an old media outlet employs a cadre of staff reporters, who write stories which are published in print and online. The new media model is in its essence interdependent and interactive; Huffington Post, and similar news sites, employ a lean staff, which does some reporting, but is dependent on the aggregation of other sources in order to be a comprehensive source of news. The centrality of aggregation for news sites like Huffington Post brings up copyright issues. How far can fair use of other news entities’ reporting go?

When the floor was opened for questions, I asked about copyright concerns that may arise from the aggregation method used by the Huffington Post. Huffington suggests that “fair use is not enough” to fully account for this phenomenon. “In a way we are still working out the rules of the road,” she said. About 30% of the Huffington Post’s content is original. The rest is gathered from other sources, many of them old media. In a recent interview with Huffington, Time suggests that the Huffington Post’s rising popularity in comparison with the news sites it sources may lead to some legal battles in the future. “Someone is going to sue the Huffington Post,” says Joshua Benton, director of the Nieman Journalism Lab at Harvard University. “It’s not just about the volume of the content that it appropriates, it’s about the value.” Old media sources are facing deep financial problems, and some may take legal action to stop losing readership for stories they report. It is unclear what the obligations of an aggregator are to the sources it aggregates.

To decrease the Huffington Post’s dependence on aggregation, the website plans to establish a fund for freelance journalists. Freelance journalists would pitch the Huffington Post stories. Having selected a freelance writer to do a story, the Huffington Post would pay for costs related to covering the story and pay the writer for the article. Huffington sees this new reporting model as a response to the rise of citizen journalism in the digital age. Read the rest of this entry »

Quick, you just wrote the next great piece of software for automating the creation of virtual lolcats wearing algorithmically generated period accurate pirate and ninja outfits that are anatomically suited to the feline body. You want to share this software with the world, but you’re not certain what are reasonable terms to do so in a way that leaves you happy. What do you do?

Read the rest of this entry »

The 2008 Open Source Convention, Produced by Good Company Communications, Photograph copyright James Duncan Davidson

The 2008 Open Source Convention, Produced by Good Company Communications, Photograph copyright James Duncan Davidson

This week’s readings were categorized under “copyright” and “free software.” However, a critical underpinning of the free and open software movement, as Professor Yochai Benkler points out in his seminal work, “The Wealth of Networks,” are the networks, online communities and social collaboratives that emerge around the labor and production of free software. On the surface, these communities have appeared to be tethered by motivations beyond monetary incentives and remuneration, a phenomenon which has prompted many to search for the the reasons for why people contribute to such projects. One of these folks is the author, Jeff Howe, who studies what he calls “crowdsourcing.” For those unfamiliar with the term, crowdsourcing = wikipedia, basically.  Thus, crowdsourcing often encompasses commons-based peer production and open-source software in that it taps the remote talent of many for tasks traditionally relegated to “experts.”

Since coining the term back in a June 2006 Wired article, Jeff Howe has been busy studying different cases–industries, markets, communities, in which the phenomenon has emerged, and cataloging the activity, reactions and opinions of those involved in the creative destruction that ensues. His most recent analysis has brought him to the graphic design industry, where clouds have been gathering around crowdsourced design sites like Crowdspring.com, 99Designs.com, and eLogoContest.com. At this season’s techie-nerd ragefest, the South by Southwest conference (SXSW) in Austin, Texas two weeks ago, Howe hosted a panel of designers and entrepreneurs on the topic, including Mike Samson of Crowdspring, David Carson of davidcarsondesign, Jeffrey Kalmikoff of threadless, Jerrimiah Owyang of Forrester Research, and Lydia Mann of AIGA (the professional association for design with following views on spec work: http://www.aiga.org/content.cfm/position-spec-work).

In the opening remarks Howe poses the questions, “Does spec work democratize the industry? Or is it devaluing the work of highly trained professionals?”  Perhaps the most interesting response comes from Mike Samson, who claims that crowdsourcing and spec work does in fact “give people opportunity and access, who might not have had [them].  The Internet enables people all over the world to compete on a purely level playing field. [All of Crowdspring's creatives] have an equal opportunity and equal access to clients, and that’s democratization.”  He is echoed by Howe, who notes the chasm between established designers and young “journeymen” apprentices when he states that “The younger ones are saying, ‘Hey, I don’t know if you’ve noticed, but it’s a little tough [when] all the agencies require 3-5 years of experience, and I’m wondering how I’m supposed to get that?’ It’s this sort of catch-22, and then these sites arise…which can give work to these young designers from companies who can’t afford agencies. It seems innocuous, that the market is meeting some sort of [discrete] demand.”  In other words, Crowdspring provides access and exposure for up-and-coming designers through its democratic production mechanism.  Then Samson goes on to note that “there’s all kinds of people working on crowdspring,” such as hobbyists, amateurs, stay-at-home moms, established professionals, art directors from large agencies, “who want to keep their skills sharp in logo design…or just like to compete, or are there to learn, or there to be a member of the community.”  Thus, he highlights two more key incentives: social bonds of community and skill and knowledge improvement.  Even the most seasoned contributors on Crowdspring engage the community to hone their craft and draw from the variation of experiene and perspective, which they cannot get in a studio of 15 or so other designers.

Together, these observations do suggest to me that there are powerful social, communal and intellectual attractions to sites like Crowdspring.  However, financial returns and monetary incentives are never far from the mind.  If you take a closer look, it’s evident that contributors congregate around Crowdspring and other spec work sites in an attempt to gain something–exposure, reputation, cache, credibility or a track record, which at some other date can and will be converted to real cash money.  In other words, participants are attracted by the potential for delayed income streams.  Indeed it appears from the design industry case that Yochai Benkler and Nicholas Carr may both be partially correct in that participants in crowdsourced, open-source and free online environments respond to immediate non-monetary incentives and economic incentives, but in an indirect and delayed form.

What do you’s all think? What are the incentives to participate or refrain from commons-based peer production or open-source communities? Of course, Crowdspring provides cash prizes and rewards. However, these rewards pale in to the sums that traditional graphic designers receive–Crowdspring has significantly undercut the market. Thus, the uproar. Still, are there any meaningful analogies between this case and free, open-source software production? What role do reputation, notoriety, self-improvement or sheer pleasure and sense of belonging play?

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Free Software and Control

Free software gives more control than this entire room

Free software gives more control than this entire room

One of my primary reasons for using mostly free software is control over my computer and the software on it. Free software gives this control as I could change programs to get rid of various features that annoyed me enough that I would take the time to deal with them. Admittedly I might not have the free time or the skill to deal with any given problem without a fair amount of effort, but this would not change the possibility that I could. Besides which I might be sufficiently lucky that any problems I had would already have been dealt with by others with more free time. It is entirely possible that I might not exercise this freedom on any sort of regular basis, but its mere presence is comforting as at least if something goes wrong I could always decide to try and fix it or imagine that others in a similar position will fix it and provide the solution.

The issue of control over one’s computer becomes more important with the proliferation of systems for securing information. While a system such as HiStar (GPLv2) or Asbestos (BSD) may control information flow with the intent of protecting the user’s data (pdf), controlling information flow is an essential part of DRM and treacherous computing. If one wished to properly implement DRM with confidence that it was correct, one would probably be well served in using a language like Jif (pdf), which is a modified form of Java with annotations to deal with information flow control. The system described in the paper relies upon the existence of a trusted execution platform so that the provider of data can trust that the software will execute correctly and not communicate the protected data inappropriately. However if one’s execution platform is free software, one can simply change the execution platforms code and gain access to the protected data ‘inappropriately.’

Naturally such an event would be a significant problem for a party concerned about the safety of the data communicated, as it might mean that one could never trust a computer running free software as it can change without notice. A friend of mine involved in this area of research sees this as a significant problem as he thinks that it is important to be able to show that someone else can trust your execution platform. Of course if one’s platform is not trusted, others may not be willing to provide sensitive data to it as they have no proof that it will not be leaked. He compared the ability to demonstrate one’s execution platform as trusted to that of giving one’s car keys to a friend when intoxicated so that one can try and prove that one will not be driving. In this analogy if the car is the computer running free software then one may simply hotwire the car so that handing over the keys provides no proof that one cannot drive. However, this analogy is substantially flawed, rather than having the keys to hand over in the first place one must ask for the keys every time one wants to drive, and this would be fairly undesirable. (in exploring this analogy it occurs to me that some people would prefer in car breathalyzers as a general ‘feature’). Perhaps using free software means that one will not be able to prove the trustworthiness of your system, but having a system I can trust to do what I want rather than a system other people can trust to do what they want seems much more valuable.

Using proprietary software grants others control over your computer so that its actions do not suit your preferences. Conceivably one could accept having a machine trustworthy to others over one that is trustworthy to oneself, but it is extremely puzzling to me that anyone would choose to do so.

Would you trust proprietary software with this key?

Would you trust proprietary software with this key?

Might this happen?

Might this happen?

Penguin and Gnu in GPL Armor

This image isn't all that relevant to my post. But it's still awesome. Courtesy of Wikipedia

Anyone who knows me knows that I’m a big supporter of the free/open source (sorry, Stallman, but I’m going to go ahead and conflate those two terms, at least for right now) software movement. It’s been about half a year since I’ve given a proprietary operating system its own partition on my hard drive, and I’ve been using Ubuntu as my main operating system for almost two years now. And I’ve always sworn by Firefox. Turns out, however, that at least in the eyes of some, I’m not a free software user. Just a few weeks ago, I found out from someone (and I wish I could remember who–it was either Prof. Stark, Christian, or Ben) in our class that Ubuntu isn’t considered a free operating system by the Free Software Foundation because, among other things, it provides for the installation of proprietary drivers.

I have to wonder how productive it is to be really strict with one’s definition of “free”.  The case of Ubuntu provides a great example. Here we have a relatively free, largely open source operating system that some might even be considered mainstream–it’s the most popular Linux (ahem, sorry, GNU/Linux) distribution out there (at least according to Wikipedia), and some computer manufacturers (notably Dell) even sell computers with Ubuntu factory installed. Being as popular as it is, you think it’d be in the interest of the Free Software Foundation to endorse an operation system like Ubuntu that’s largely free, at least for the sake of showing people that one can have a user-friendly PC without Microsoft Windows. And yet they don’t.

To be fair, I haven’t been able to find anything on the FSF’s website that sharply criticizes Ubuntu, nor have I been able to find a rant by Stallman about how awful it is (although I did find a story about Stallman warning about the dangers of cloud computing: evidently this is how Stallman feels about my Gmail account). But at the same time, I think being really strict with what one endorses as free software only exacerbates the free software movement’s biggest problem: that it isn’t mainstream. A quick look at the OSes that the FSF does endorse illustrates my point: I’m a huge geek, and even I haven’t heard of any of those distros (or at least hadn’t heard of them before today).

Ubuntu isn’t the only example of a popular piece of relatively free software that isn’t endorsed by some members of the free software movement. The FSF doesn’t approve of Firefox, either, because “[w]hile the source code from the Mozilla project is free software, the binaries that they release include additional non-free software. Also, they distribute and recommend non-free software as plug-ins.” Never fear, however, they’ve got a substitute: IceCat. (Interesting and somewhat related anecdote: A while back the community surrounding the Linux [err, GNU/Linux, sorry...why do I keep doing that?] distribution know as Debian had made some changes to one of Mozilla’s products without the Mozilla Foundation’s approval and were told they could not use the logo. Thus was born IceWeasel.)

So exactly how stringent is the FSF’s definition of “free” in practice? A look at an OS they helped design, gNewSense (which sounds way to0 much like gNuisance, in my humble opinion), gives some idea. According to the Wikipedia page on it,  even “documentation that gives instructions on installing non-free software is excluded.”  Similarly, one of the guidelines listed on the gNewSense community’s webpage is: “Non-Free software is never a solution so please do not rationalize, justify, and minimize the consequences of proposing non-free software as a solution.” Talk about strict.

Granted, I could be entirely wrong. Perhaps proprietary software is so evil and so dangerous that it must be avoided without compromise no matter what the cost. I also think that sometimes idealists with extreme views are needed to keep a movement alive. But I have to think it’s important to attract new users to the free software community, and that’s harder to do when absolutely every component of a program or system must be non-proprietary in every way in order for it to be considered “free”.  Firefox and Ubuntu might not be completely free, but they’re way ahead of IE and Windows, and it’s counterproductive not to recommend them. Don’t get me wrong, I think the free software movement is a great thing, and I must admit that even though I make fun of him, I kinda idolize Richard Stallman. That said, I’d probably still be using Windows if something like Dynebolic were the only other operating system.

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You’ve had a good run DRM, but…

In January of this year, Apple announced that its iTunes Store will now offer music tracks without anti-copying restrictions.    This release comes as a great relief to music fans because the Digital Rights Management (DRM) technology that encrypts the digital music has prevented buyers from fully accessing the music they own.    After purchasing a favorite song for $0.99, the buyer only was allowed to listen to the music on a limited number of computers and portable listening devices.  In contrast, the music one purchased on a CD from a music store is not DRM-protected, so that music can be uploaded and shared with unlimited number of computers and portable listening devices.  It just is inconsistent that music distributors would offer the same music in both DRM and DRM-free formats.

The intents of DRM are obvious—to prevent users from infringing copyrights.  For instance, DRM prevents iTunes music buyers from sharing their music with their other million-plus friends.  But in encrypting the digital music information and preemptively preventing copyright infringements, DRM also precludes legitimate cases of fair use.  In the past, the potential for infringement often has far outweighed the claims of fair use (for example, MGM v Grokster).  But recently (maybe due to the economic crisis), that balance seems to be shifting.

iTunes now is offering DRM-free music because of stories like Cory Doctorow’s in “Microsoft Research DRM Talk”—Doctorow, an avid purchaser of new Apple PowerBooks ever ten months, explains how “Apple rewarded my trust, evangelism, and out-of control spending by treating me like a crook and locking me out of my own music” (Doctorow 23).  Responding to similar concerns, the PR and Marketing Manager, Tom Ohle, of Good Old Games (GOG) recently indicated that they would be offering their games DRM-free because “we’d rather reward paying customers than punish potential pirates.”  And there are rumors that Nokia’s new music service in the US will be DRM-free as well.

But it is surprising to me that DRM technologies are even allowable and protected in the first place.  As per Digital Millennium Copyright Act (DMCA) § 1201, “no person shall circumvent a technological measure that effectively controls access to a work protected under this title.”  This is surprising because the federal government has not always been so supportive of encryption techniques.  Take the investigation of Phil Zimmermann, who developed and published a public-key encryption software called Pretty Good Privacy (PGP) for the purpose of encrypting emails.  Granted, the investigation of Zimmermann has different issues at hand, because PGP was distributed all over the world, which violates a “US export restrictions for cryptographic software.”  But Zimmermann describes that “law enforcement and intelligence interests in the government have attempted many times to suppress the availability of strong domestic encryption technology,” and citing a number of examples.  This just is not consistent—that companies can use DRM to preemptively limit the extent of infringing uses of copyright, but the public cannot have encryption software for securing our own emails?  Under DMCA § 102, aren’t emails protected as copyright material as well?

Obviously, a DRM-free world would logistically make things easier for music lovers, music distributors, and music regulators.  But more so than a DRM-free world, I just hope to see more consistency in company and federal policies.

-Danny S

Courtesy: Matt Buchanan/Gizmodo

Courtesy: Matt Buchanan/Gizmodo

I am both an avid bibliophile and an unabashed gadget guy.  I had been waiting to buy the Kindle for months and bought the device minutes after Jeff Bezos announced it in New York City at a Macworld-esque event. Before my Kindle even arrived I read an article in Businessweek that made me realize that Kindle would not only change the way in which I read books, but also, thanks to the DRM, what I could do with my books.

Ever since elementary school, I would swap books with friends and lend books for extended periods of time. No one would question the permissibility of this practice, as the first-sale doctrine, enshrined into the 1976 Copyright Law (Title 17, Chapter 1, § 109)– after being upheld by the Supreme Court since 1908—which states “the owner of a particular copy or phonorecord lawfully made under this title, or any person authorized by such owner, is entitled, without the authority of the copyright owner, to sell or otherwise dispose of the possession of that copy or phonorecord.” Meaning after I buy a book, a movie, or any other copyrighted item, I can do whatever I would like with that material with the exception of duplicating it; I could sell it, lend it, trade it, rent it or even throw it out the window.

The DRM on the Kindle limits what I can do with a book after I purchase it; I can read it on my device, transfer it to another Kindle registered to me (seriously—why would anyone need multiple Kindles? Maybe if I had a family or something…), or perhaps, as of today, transfer it to my iPhone. This is it. I will not be able to do with my eBooks as I see fit. I am very much in agreement with the EFF’s opinion that “readers should not be asked to give up their first sale rights, whether their books are digital or made out of paper.”

As the readings suggest, DRM protection is a complicated issue with many arguments for and against. However, what I find particularly problematic is the way in which DRM is impinging on my freedom to invoke my first-sale rights to the books I have purchased. As Wildstrom acknowledges in his Business Week article:

The same can be said about the DRMs that protect downloaded music (where DRM seems to be dying), videos, and games. But those don’t have the same emotional effect on me that DRMed books do, probably because the trade in used books has been an important part of our culture in the way that selling used audio or video recordings has not. Our culture would certainly be much poorer without Powell’s Books in Portland, Ore., or Witherspoon Books in Princeton, N.J., or Manhattan’s Strand Bookstore.

For all of us Yalies who regularly lend or sell books—especially ridiculously priced textbooks after we have used them–the notion that we, for example, couldn’t transfer an Economics textbook purchased on the Kindle to a friend taking the course next year or exchange our copy of Freakonomics with a friend’s copy of Outliers seems unfathomable. Not to mention the fact that there are ways in which I can legally share DRMed music purchased on iTunes by burning the songs to a CD, for instance; there is no equivalent process on the Kindle.

Some probing into the End-User Licensing Agreement (EULA) for the Kindle reveals something that seriously undermines my previous claims about the first-sale doctrine. Even though I click “Buy now with 1-click” on the “Kindle Store” to purchase books, Amazon does not consider the transaction to be a sale in the traditional sense, meaning the first-sale doctrine would not apply. Instead of selling me a digital “copy” of the book, “Amazon grants you the non-exclusive right to keep a permanent copy of the applicable Digital Content and to view, use, and display such Digital Content an unlimited number of times, solely on the Device or as authorized by Amazon as part of the Service and solely for your personal, non-commercial use.” Apparently, Kindle users never buy books, they just license them under a restrictive set of conditions. The EULA then stipulates, “Unless specifically indicated otherwise, you may not sell, rent, lease, distribute, broadcast, sublicense or otherwise assign any rights to the Digital Content. ”

Fortunately, Amazon’s view that purchasing an eBook merely grants consumers a license rather than ownership of a product could be challenged. Columbia University Law students quoted on Gizmodo argue, “Just because Sony or Amazon call it a license, that doesn’t make it so…That’s a factual question determined by courts…Even if a publisher calls it a license, if the transaction actually looks more like a sale, users will retain their right to resell the copy.”

While there is no case law on applicability of the first-sale doctrine to e-books, there have been cases regarding computer software, which resembles e-books in that companies claim the software is being licensed, rather than sold. In Vernor v. Autodesk Inc. (2000), the court stated that despite a claim that the software was being licensed, it was actually sold since there was no expectation that it would ever be returned; hence, the purchaser has the right do do as he sees fit with the software.  In Davidson & Associates v. Internet Gateway Inc (2004), a similar case regarding the status of software heard in the District Court for the Eastern District of Missouri, however, the Court held, “The first sale doctrine is only triggered by an actual sale. Accordingly, a copyright owner does not forfeit his right of distribution by entering into a licensing agreement.” Given the disagreement in the district courts and the fact that the digital content seems to be the way of the future, perhaps the Supreme Court will grant a writ of certiorari to one of these cases on appeal and decide the law of the land.

While EULAs may be struck down by the courts, as Proessor Lessig’s blog post earlier this week about public domain books with DRM restrictions suggests, there is nothing to indicate this would spur a change in the DRM restrictions. Since dismantling the DRM would constitute illegal circumvention under the DMCA, it would still be impossible for someone to legally invoke their first-sale rights to digital books. As we read in Lessig’s Code 2.0 earlier this semester, there are four different ways in which digital content can be protected; with respect to the Kindle, Amazon is using redundant means–both a EULA (a legal contract) and DRM (code)– to restrict the use of its content so it could still retain control in the event that one fails.

The first-sale doctrine has an additional complication when we are discussing digital content such as e-books. Wildstrom states the obvious, “Digital books don’t get dog-eared or marked up and their bindings never break, there’s no reason not to prefer a “used” e-book to a new one if its price is less.” Typically, there is price discrimination in the book market and those with can afford to pay price for their books, have a strong preference for new, crisp unmarked pages, or need a book immediately will shell out for a new copy, while others can opt to save money on a used copy in worse condition. It is difficult to imagine how publishers and authors would maintain constant revenue streams if there were no incentive to buy new books and used e-book markets on the internet featured the exact same books available on the Kindle store for much less money. As Wildstrom goes on to say publishers would have serious qualms about allowing Amazon to license their books if it could result in the loss of so much revenue. Currently, there are two major waves of book sales, for best sellers, at least—hardcover releases and paperback releases. However, if e-book readers proliferate and more and more people begin reading on devices like the Kindle, there could be a wave of people buying a book after it is released. If people could sell or transfer their books, presumably charging less money than a new eBook, people looking to buy a book for less could simply get the book from a friend or on a marketplace.

There are some solutions to this predicament. A middle ground could be reached in which limits are imposed on the number of times a book  can be transferred and transfer fees or listing fees could be assessed that would give Amazon and/or the publishers money each time a book changes hands (as “Eric” suggests in his comments on Wildstrom’s piece). Alternatively, Amazon could “rent books” for a limited time at a cheaper price point than purchased books, which could cause people looking to save money to pay for a rental instead of buying a second-hand e-book. Some software (e.g. SPSS Statistics) can be rented on a semesterly basis for students wishing to save money instead of purchasing the full version. The relative ease of renting an e-book verses purchasing an e-book from someone else could keep the flow of revenue moving even if Amazon relaxed its DMA to allow people to invoke their first-sale rights.

Speaking of the first-sale doctrine in the digital age, the Freakonomics blog on the New York Times website featured Questions and Answers with Professor Lessig the other day. In response to a question about the first-sale doctrine, Lessig said:

The First Sale Doctrine represents an important principle forgotten by copyright extremists — that copyright “protection has never,” as Justice Stevens put it in the Sony Betamax case, “accorded the copyright owner complete control over all possible uses of his work.” But in my view, to restrike a proper balance in the digital age, we need to move away from an architecture of copyright law that triggers regulation upon the copy. Instead, copyright law needs to focus on the economically relevant acts that need to be regulated to create the incentives copyright law should produce — and not on the (impossible, self-defeating, and absurd) objective of regulating every time a computer “copies” a work.”

Then question then becomes, what are these economically relevant acts?

Your thoughts?